Shigaraki Ware Tatetetsusen Egg-shaped Cup
Shigaraki ware has a long tradition of being fired in noborigama (climbing kilns) and anagama (wood-fired kilns) at high temperatures over extended periods. Each piece is shaped, dried, and fired by artisans who carefully read the flow of flame, humidity, and the character of the clay—creating work in harmony with nature. No two pieces are ever exactly alike.
Delicate iron lines are hand-drawn with a fine iron stylus, creating a subtle, intricate pattern. The softly tinted areas may vary from grey to warm orange or pink tones. As natural materials are used, you may notice small iron specks, glaze drips, or tiny pinholes—unique marks that express the individuality of each piece.
This cute egg-shaped cup is perfect for all of your favorite drinks - tea, coffee and matcha.
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Artisan
Furutani Pottery Studio
Rooted in the traditions of Shigaraki ware, Furutani Pottery Studio creates vessels that harmonize timeless craftsmanship with modern living. Using an original blend of iron-rich red clay coated with white slip, each piece is twice-fired at a relatively low temperature to achieve a soft, matte kohiki finish. With gentle forms, subtle white textures, and the natural character of Shigaraki clay, their works embody a quiet elegance designed to enrich everyday life.
Mastery
Shigaraki Ware
Originating over 750 years ago in the Kamakura period, Shigaraki ware first emerged as utilitarian vessels such as tea jars and storage pots. By the Muromachi period, it became deeply intertwined with Japan’s tea ceremony culture, celebrated for its rustic warmth and natural beauty. The local clay of Shigaraki, rich in feldspar and quartz, produces distinctive natural markings — soft freckles (kannyu) and stone bursts (ishihaze) — during firing. Ash falling in the kiln melts into a natural glass-like bidoro glaze, while reddish hi-iro tones emerge from the play of flame and heat. Shigaraki’s unique charm lies in these natural transformations — an art of earth and fire that celebrates imperfection and the quiet beauty of clay itself.